2007年10月8日星期一

'The Kite Runner' is delayed to protect child stars 1

LOS ANGELES: The studio distributing "The Kite Runner," a tale of childhood betrayal, sexual predation and ethnic tension in Afghanistan, is delaying the film's release to get its three schoolboy stars out of Kabul — perhaps permanently — in response to fears that they could be attacked for their enactment of a culturally inflammatory rape scene.

Executives at the distributor, Paramount Vantage, are contending with issues stemming from the rising lawlessness in Kabul in the year since the boys were cast.

The boys and their relatives are now accusing the filmmakers of mistreatment, and warnings have been relayed to the studio from Afghan and American officials and aid workers that the movie could aggravate simmering enmities between the politically dominant Pashtun and the long-oppressed Hazara.

In an effort to prevent not only a public-relations disaster but also possible violence, studio lawyers and marketing bosses have employed a stranger-than-fiction team of consultants. In August they sent a retired Central Intelligence Agency counterterrorism operative in the region to Kabul to assess the dangers facing the child actors. And on Sunday a Washington-based political adviser flew to the United Arab Emirates to arrange a safe haven for the boys and their relatives.

"If we're being overly cautious, that's O.K.," Karen Magid, a lawyer for Paramount, said. "We're in uncharted territory."

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Trailer: 'The Kite Runner'
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In interviews, more than a dozen people involved in the studio's response described grappling with vexing questions: testing the limits of corporate responsibility, wondering who was exploiting whom and pondering the price of on-screen authenticity.

"The Kite Runner," like the best-selling 2003 novel by Khaled Hosseini on which it is based, spans three decades of Afghan strife, from before the Soviet invasion through the rise of the Taliban. At its heart is a friendship between Amir, a wealthy Pashtun boy played by Zekiria Ebrahimi, and Hassan, the Hazara son of Amir's father's servant. In a pivotal scene Hassan is raped in an alley by a Pashtun bully. Later, Sohrab, a Hazara boy played by Ali Danish Bakhty Ari, is preyed on by a corrupt Taliban official.

Though the book is admired in Afghanistan by many in the elite, its narrative remains unfamiliar to the broader population, for whom oral storytelling and rumor communication carry far greater weight.

The Taliban destroyed nearly all movie theaters in Afghanistan, but pirated DVDs often arrive soon after a major film's release in the West. As a result, Paramount Vantage, the art-house and specialty label of Paramount Pictures, has pushed back the release of the $18 million movie by six weeks, to Dec. 14, when the young stars' school year will have ended.

In January in Afghanistan, DVDs of "Kabul Express" — an Indian film in which a character hurls insults at Hazara — led to protests, government denunciations and calls for the execution of the offending actor, who fled the country.

Perhaps not coincidentally, the "Kite Runner" actor who plays Hassan, Ahmad Khan Mahmoodzada, 12, told reporters at that time that he feared for his life because his fellow Hazara might feel humiliated by his rape scene. His father said he himself was misled by the film's producers, insisting that they never told him of the scene until it was about to be shot and that they had promised to cut it.

Hangama Anwari, the child-rights commissioner for the Afghanistan Independent Human Rights Commission, said on Monday that she had urged Paramount's counterterrorism consultant to get Ahmad Khan out of the country, at least until after the movie is released. "They should not play around with the lives and security of people," she said of the filmmakers. "The Hazara people will take it as an insult."

The film's director, Marc Forster, whose credits include "Finding Neverland" (2004), another film starring child actors, said he saw "The Kite Runner" as "giving a voice and a face to people who've been voiceless and faceless for the last 30 years." Striving for authenticity, he said, he chose to make the film in Dari, an Afghan language, and his casting agent, Kate Dowd, held open calls in cities with sizable Afghan communities, including Fremont, California, Toronto and The Hague. But to no avail: Forster said he "just wasn't connecting with anybody."

Finally, when Dowd went to Kabul in May 2006, she discovered her stars. "There was such innocence to them, despite all they'd lived through," she said.

Forster emphasized that casting Afghan boys did not seem risky at the time; local filmmakers even encouraged him, he said: "You really felt it was safe there, a democratic process was happening, and stability, and a new beginning."

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